![core[pics]](http://www.corepics.com/wp-content/uploads/2010/03/corepics.png)
Roosje-Kay: a bit of everything
Roosje-Kay has modeled for us on various occasion, and it’s time to place her in the lime-light for a while. Roosje-Kay is great to work with; a pure, natural look, creative in her poses, and great to have around.
More of Roosje-Kay in the following galleries:
The Office
The Crime Scene
And… Below, in a brand new gallery!
Je pratique le déminage
Another interesting find from one of our photos, purchased through fotolia. Before I start excusing my French, I believe it’s an article about reactions, triggered by emotion, in a business situation. Thanks, Le Journal du Net, for providing the credits!
A screen dump and the English translation by google can be found after the read more [...]
Office shoot – the sequel
Of our weekly minishoots, we can conclude beyond reasonable doubt, that “The Office” is by far the most in demand. In a revamped 36clicks headquarters, we invited Roosje Kay van Veen to help us out for a retake of of a not-so classic business setting. As usual, various different themes were staged, resulting in a [...]
Thank god it’s monday
The blog Thank God it’s Monday uses one of our photos in an article about how to infuriate your boss and jeopardise your career in the process – good reading!
Editor’s Choice
With the paint barely dry, and wilst Corepics is still a bit moist behind the ears, we’re quite pleased to announce that our first series, the Office, is performing better than expected. Dreamstime even promoted it with an Editor’s Choice.
© Photographer: Corepics | Dreamstime
The full series is also available on Dreamstime; if you rather source [...]
Production Shoot 1: The Meeting
On 20 January 2009, Corepics joined forces with two other Dutch photograpers and Australian Photographer Phillip Minnis for a large production shoot with seven models in an office furniture showroom, located in the industrial heritage site of the “van Nelle Fabriek” in Rotterdam.
Setting up our studio equipment on location, we created two sets, alternating in [...]