We supply too many images to (micro)stock agencies, and there are too many photographers to base a sustainable business model on for most of us. The suppliers market seems to be over-saturated.
On the other hand, microstock is rapidly gaining market share as cheap source of images for many purposes. The RF microstock pricing structure facilitates new buyers looking for alternative (and cheaper) outlets, due to the current financial situation. As the marketplace is changing, and microstock as business is maturing, competition grows. For the contributor, this means a rapidly growing challenge in meeting the changing image requirements in quantity and quality. This new – microstock – type of User Generated Content is eating away business from traditional stock agents as well as commissioned based photographers. Microstock has changed the photography business. Possibly forever.
All doom and gloom, or has this cloud a silver lining?
I consider the current market situation in photography to be unstable. Reading various sources on the internet, in blogs, twitter, and in forums, I notice an increased weariness about the (micro)stock industry amongst contributors, and – to a lesser extend – stock agents. What you’re reading now, is the prelude of a series of articles, setting apart my thoughts on the future or photography, based on my experience, and what I see around me. I’m not a visionary, nor an economist or a marketing expert. Even though I’ve spent a large part of my professional career in Business Development and Innovation, I’m foremost a photographer.
I’ve been active in photography for more than a decade, slowly but surely expanding my business, before diving in head first, changing attributes from “advanced amateur” to “professional photographer” in 2004. Early 2007, I became involved in stock photography. I still consider myself to be starting out, building businesses.
2009 is a strange year. Even though the initial panic about the financial crisis is slowly ebbing away, the effects are still very much tangible. According to the experts, this will continue to influence businesses around the world for at least the next few years.
In microstock, the current events indicate that there are also other important factors affecting the User Generated Content market, affecting the position of the contributor. A generalization:
The increased competition forces the royalty and pricing structures to be under pressure. As the image collection of the major players in the industry explodes, the importance of image requirements in terms of subject selection, image quality and legal indemnification by the contributor is increasing, but revenues are lagging behind. To put it differently: A photographer needs to work harder, producing higher quality to sell his (her) images at a price level that is in disproportion with the needed effort. Because of the average low market share in number of images, an individual photographer has barely any leverage with agents to have any influence on the changing marketplace.
I sell images, and make a living out of it. I’m currently selling the majority of my images for “pocket change”, ranging from $0,19 to $300 per individual sale, selling the same images over and over again. A few years ago, my core business solely consisted of commissioned work, with exclusive usage rights to our clients – selling a photo just once. The extremes in image pricing are staggering. A single commissioned image, made me roughly 130.000(!) times more than some of the subscription sales nowadays.
A realistic breakdown of the math, using fictions numbers (expenses and taxes excluded, inflation compensation included):
| A few years ago | Now (stock only) | Now (commissioned only) | |
| Average revenue per sold image | ~ $3.500 | ~ $2,50 | ~ $1.250 |
| Average production time per image | ~ 1.5 weeks | 15 minutes | ~ 1 week |
| Image use | Large corporate campaigns | Some website | Marketing campaigns |
| Number of sales per image | 1 | > 100 | 1 |
| License | Exclusive usage | Royalty Free / Rights Managed | Exclusive or Limited share usage |
| Number of sales per year | ~ 25 | ~ 24000 | ~ 30 |
| Average Annual turnover | ~ $90.000 | ~ $60.000 | ~ $37.500 |
All in all, the grand total remains roughly the same, In addition to this, the total production costs for stock images (planning, model fees, travel costs, assistant fees, image selection, and not to mention acquisition) are substantially lower than for commissioned work. The comparison shows the net worth of an image has devaluated. Images are sold cheaper, against more lenient conditions. This is compensated by an increase in number of sales. Considering the current developments in the market, there’s little leverage to bring this effect to a halt.
With a supply chain, which is over-saturated, with an aggressive competition between agents, and a change in buyer demands, the business continues to change at a high pace. The channels, through which images are sourced, have already begun adapting, but the majority of photographers is lagging behind. This makes sense, as the stock agents are for the most part rather large enterprises, compared to their suppliers – the photographers. The majority of photographers consist of hobbyists, or pro-photographers with a different core-business than shooting stock, and the few full time pros. Yet, we all need to change. Change is possible, and the changed situation also has a few positive side effects. The days of “business as usual” are over, and I believe that is a good thing, as “business as usual” is a creativity killer, and creativity is a bare necessity for any photographer. The market is professionalizing, and it is likely, that photographers, who refuse to adapt, will perish in this process, possibly bringing a bit of balance back to the supply and demand equation.
Ways to change to a dynamic marketplace:
In the next few months, I intend to explore these methods more thoroughly, elaborating on each in a few more articles, and cross linking them, to put them into (my personalized) perspective. These articles will be published in random order.
If you have any thoughts on his please share them by leaving a comment!
[...] another article about the pace of change in the photography market, I discussed the current pressure on prices, and the need for any commercial photographer to adapt [...]
[...] another article about the pace of change in the photography market, I discussed the current pressure on prices, and the need for any commercial photographer, to adapt [...]